The music producer as an artistic co-creator

[Dansk herunder]

On Wednesday 15 November, Morten Büchert, Associate Professor and Head of Music Production at RMC, will present the results of his project 'The music producer as artistic co-creator - negotiating the artistic mandate' to the public.

The project is an Artistic Development Activity (KUV) selected and supported by the Ministry of Culture's pool for artistic development activities.

In addition to a presentation and demonstration of the results of his KUV project, Morten Büchert will engage in dialogue with both external and internal respondents, and there will be an opportunity to ask questions.

The host is Henrik Marstal. 

RMC will then offer a glass to celebrate the artistic pioneering work.

The event is open to all interested parties.

In preparation, you can listen to an interview in the RMC Podcast where Morten Büchert unfolds his KUV project.

[NB: the event is in English]

Programme

17:00-17:10 - Welcome
17:10-18:10 - Presentation
18:30-18:50 - External respondent (Yann Coppier)
18:50-19:10 - Internal respondent (Sharin Foo)
19:10-19:30 - Questions and wrap-up
19:30-20:00 - RMC offers a drink
 

About the project

Inspired by my own and others' practice as music producers, my aim with this project is to explore how types of music producer's artistic co-ownership are negotiated and expressed in musical co-creation processes.

My interest revolves around how the negotiations of co-ownership take place in collective processes with a focus on the music producer's different roles and tasks, as well as the underlying arguments and desires/perceptions of those involved that seem to be in play.

At the same time, it would be interesting to uncover what competences the different types of artistic co-ownership require of the music producer. This leads to the following focussed research question:

"What types of artistic co-ownership does the music producer assume when the sound studio's artistic co-creation processes unfold, and what artistic consequences can this have for the final works?"

[Dansk]

Onsdag 15. november præsenterer Morten Büchert, lektor og fagansvarlig for Musikproduktion ved RMC, resultatet af sit projekt 'Musikproduceren som kunstnerisk medskaber – forhandling af den kunstneriske fuldmagt' for offentligheden.

Projektet er Kunstnerisk Udviklingsvirksomhed (KUV) udvalgt og støttet af Kulturministeriets pulje til kunstnerisk udviklingsvirksomhed.

Foruden en præsentation og demonstration af resultaterne af sit KUV-projekt, så vil Morten Büchert gå i dialog med både ekstern og intern respondent, og der vil være mulighed for at stille spørgsmål.

Vært er Henrik Marstal. 

RMC byder herefter på et glas for at fejre det kunstneriske pionérarbejde.

Arrangementet er åbent for alle interesserede.

Du kan som forberedelse lytte til et interview i RMC Podcast, hvor Morten Büchert udfolder sit KUV-projekt.

[NB: arrangementet er på engelsk]

Program

17:00-17:10 – Velkomst
17:10-18:10 – Præsentation
18:30-18:50 – Ekstern respondent (Yann Coppier)
18:50-19:10 – Intern respondent (Sharin Foo)
19:10-19:30 – Spørgsmål og afrunding
19:30-20:00 – RMC byder på et glas

Om projektet

Med inspiration fra dels min og andres praksis som musikproducere ønsker jeg med dette projekt at udforske, hvordan typer af musikproducerens kunstneriske med-ejerskab forhandles og kommer til udtryk i musikalske samskabelsesprocesser.

Min interesse kredser altså om, hvordan forhandlingerne af med-ejerskabet foregår i kollektive processer med fokus på musikproducerens forskellige roller og arbejdsopgaver samt hvilke underliggende argumenter og ønsker/forestillinger fra de involverede, der synes at være i spil.

Samtidig vil det være interessant at få afdækket, hvilke kompetencer, de forskellige typer af kunstnerisk med-ejerskab, fordrer af musikproduceren. Dette leder til følgende fokuserede undersøgelsesspørgsmål:

”Hvilke typer af kunstnerisk med-ejerskab varetager musikproduceren, når lydstudiets kunstneriske samskabelses-processer udfolder sig, og hvilke kunstneriske konsekvenser kan dette have for de endelige værker.”