Project
Musical Form
This project was about using traditional musical forms. More specific the rondo form. In this case, the returning A part consists of a specific tone row, that from a tonematrix can be heard in various directions and combinations (transposed, inversion, reversed etc.).
Does it make sense, to start out with a specific form, when creating electronic music? Will the creative flow change in a positive way, or will the form-structure be an unnecessary burden rather than an inspiring dogma, that guides the music in new exiting directions?
The music is released on the album Urodela (Escho 2019/ESC113)
Project reflections (in Danish)