Konference

WHAT SOUNDS DO - New Directions in an Anthropology of Sound

A four-day conference exploring questions of an anthropology of sound with international scholars and artists.
Date
13.9-16.9.22
Time
10:00-18:00
Address

Akvariet, RMC
Eik Skaløes Plads
1437 Kbh K

Entrance fee
Gratis adgang

[The conference is now closed for registration. Press the "Tilmeld venteliste /Sign up for waiting list" button]

Sounds are ever present: They continue to envelop and move through you and me in every single moment. But what agencies drive those sounds, what sort of personae are performed, in historical periods as well as today or in the near future? What social relations occur as a result of sound? And how might our embodied experiences and sensibilities create new bodies of knowledge?

To which forms of experiences with our bodies, with objects, within social relations and with peculiar situations and sensibilities might this lead? Which sonic fictions escort us and how do we listen with our sonic corpus?

In this four-day conference between September 13-16, 2022 at Rhythmic Music Conservatory (RMC) in Copenhagen researchers from the Sound Studies Lab at the University of Copenhagen and international scholars such as Jordan Lacey, and artists like Niels Lynne Løkkegaard invite you to explore these questions of an anthropology of sound.

The conference includes keynote lectures by Salomé Voegelin and Dylan Robinson, research workshops by Jenny Gräf Sheppard, Ania Mauruschat, and Giada Dalla Bontà, sound works and performances as well as roundtable discussions that contribute to the work on an Encyclopedia of Sound Studies, currently conceived by Michael Bull, Holger Schulze, and Jennifer Stoever.

Join the Sound Studies Lab into these sonic experiments of sensing and thinking.

Below you will find the full program as well as the list of contributers and the list of abstracts. 

Programme

Funding and collaborations

Conference of the Sound Studies Lab at the University of Copenhagen, Department Arts & Cultural Studies – in collaboration with the Rhythmic Music Conservatory (RMC), Copenhagen and the Royal Danish Academy of Fine Arts (RDAFA), Copenhagen.

Funded by Carlsbergfondet, RMC, and the Department Arts & Cultural Studies, the research clusters Global Entanglements and Art & Earth at the University of Copenhagen.

List of contributors and abstracts