Multiplayer

This project investigates Western musical instruments as being critical and even dangerous sites that should be approached with the greatest caution; as loaded interfaces - not only between mechanical movement and the production of sound, between phantasms and physical reality, but also as contaminated places that should be treated as as such. 

Infected places of parasitic discourse ready to jump at you and embed themselves in you, sedimenting and subsequently play you.

With an interest in the notion of instrumentalization and what instruments can mean, control and do, the instruments are approached from a safe distance through different (group)interventions in an attempt to emolliate and soften the site of the instrument. Softening the sedimented.