Nate Wooley

American trumpet experimentalist Nate Wooley talks about compositional language, and his work to broadening the definition of American music through his record label and his works as a editor-in-chief of the online quarterly journal Sound American.
19. feb. 2019
Artist Talk

Find Facebook event HERE

The American trumpet experimentalist Nate Wooley will visit RMC for an artist talk that will focus on expanded preconceptions of the trumpet, the construction of a new compositional language, and virtuosity as a non-issue. The talk will also touch upon his work to broadening the definition of American music through Sound American Records.
RMC's assistant professor Torben Snekkestad will moderate the talk. 

Since Nate Wooley moved to New york in 2001, he has become one of the most in-demand trumpet players in the burgeoning Brooklyn jazz, improv, noise, and new music scenes.  He has performed regularly with such icons as John Zorn, Anthony Braxton, Eliane Radigue, Ken Vandermark, Fred Frith, Evan Parker, and Yoshi Wada, as well as being a collaborator with some of the brightest lights of his generation like Chris Corsano, C. Spencer Yeh, Peter Evans, and Mary Halvorson.

He is also the curator of the Database of Recorded American Music and the editor-in-chief of their online quarterly journal Sound American both of which are dedicated to broadening the definition of American music through their online presence and the physical distribution of music through Sound American Records. He also runs Pleasure of the Text which releases music by composers of experimental music at the beginnings of their careers in rough and ready mediums.

The Complete Syllables Music is the first collected edition of trumpet experimentalist Nate Wooley’s groundbreaking solo compositions. His attempt to sidestep a positive/negative value based musical aesthetic and to expand his own preconceptions of what the trumpet tone should be led him to the construction of a new compositional language, based on adjusting the physical parameters of how one makes sound. This new way of thinking was based on the shape and positioning of the oral cavity necessary to produce the phonetic sounds in speech; using the International Phonetic Alphabet as a new kind of tone-row to create structures on the position of the teeth, tongue, throat and nasal cavity. The result is an approach to the sound of the trumpet that is involved in traditional nor extended technique, but treats virtuosity as a non-issue.

Nate Wooley’s solo playing has often been cited as being a part of an international revolution in improvised trumpet.  Along with Peter Evans and Greg Kelley, Wooley is considered one of the leading lights of the American movement to redefine the physical boundaries of the horn, as well as demolishing the way trumpet is perceived in a historical context still overshadowed by Louis Armstrong.  A combination of vocalization, extreme extended technique, noise and drone aesthetics, amplification and feedback, and compositional rigor has led one reviewer to call his solo recordings “exquisitely hostile”.

On the evening of the talk, Nate Wooley will play a concert at the venue Alice, together with the duo Heaven. Link to the concert HERE

19. feb. 2019
16.00 til 17.30
Akvariet, RMC
Leo Mathisens Vej 1
København K